
We found this fantastic tour that does all the planning, booking and leg work and we just needed to show up - my kind of tour! We were interested in seeing more of England instead of just London (even though we both really enjoy visiting London), and this tour took us out into the countryside to enjoy some of the medieval historical sites. We started in London (Londinium is the name of this great city during Roman times).

Our tour was primarily all by bus, but instead of taking the Chunnel (the tunnel under the Channel from France to England), we took the ferry from Calais to Dover. I was really excited about this because I have always wanted to see the white cliffs of Dover but didn't think it was going to happen. It is fun and slightly surreal that you can see the English shores from France and visa versa. And I didn't realize this, but it make sense, that the French coast has cliffs that are white, just like Dover's. (They just didn't get the same good press that Dover must have recieved.) The pictures don't do them justice, the cliffs are stunning.

We had only a few hours in London, so we had to pick one, maybe two activities that we wanted to do in that time. One place I hadn't been to was the British Museum. It is a treasure trove of historical, cultural and archeological wonders. I had done a little homework leading up to the trip and thanks to a easy to negotiate webpage with all the information you could want on it, I was able to map out the sights (down the rooms and display numbers) of interesting artifacts. This helped us to utilize our time most efficiently. This picture is of
The Black Obilesk of Shalmaneser III. It is Neo-Assyrian, dating in the range of 858-824 BC. It is from Nimrud (ancient Kalhu), northern Iraq. It depicts the military achievements of an Assyrian king.
The archaeologist Henry Layard discovered this black limestone obelisk in 1846 during his excavations of the site of Kalhu, the ancient Assyrian capital. It was erected as a public monument in 825 BC at a time of civil war. The relief sculptures glorify the achievements of King Shalmaneser III (reigned 858-824 BC) and his chief minister. It lists their military campaigns of thirty-one years and the tribute they exacted from their neighbours: including camels, monkeys, an elephant and a rhinoceros. Assyrian kings often collected exotic animals and plants as an expression of their power.
There are five scenes of tribute, each of which occupies four panels round the face of the obelisk and is identified by a line of cuneiform script above the panel. From top to bottom they are:
Sua of Gilzanu (in north-west Iran)
Jehu of Bit Omri (ancient northern Israel)
An unnamed ruler of Musri (probably Egypt)
Marduk-apil-usur of Suhi (middle Euphrates, Syria and Iraq)
Qalparunda of Patin (Antakya region of Turkey)
The second register from the top includes the earliest surviving picture of an Israelite: the Biblical Jehu, king of Israel, brought or sent his tribute in around 841 BC. Ahab, son of Omri, king of Israel, had lost his life in battle a few years previously, fighting against the king of Damascus at Ramoth-Gilead (I Kings xxii. 29-36). His second son (Joram) was succeeded by Jehu, a usurper, who broke the alliances with Phoenicia and Judah, and submitted to Assyria. The caption above the scene, written in Assyrian cuneiform, can be translated
The tribute of Jehu, son of Omri: I received from him silver, gold, a golden bowl, a golden vase with pointed bottom, golden tumblers, golden buckets, tin, a staff for a king [and] spears.
This picture illustrates the Israelites carrying the tribute to Shalmaneser.

This picture is of the Elgin Marbles, also known as the Parthenon Marbles, which are a collection of classical Greek marble sculptures, inscriptions and architectural members that originally belonged to the Parthenon and other buildings on the Acropolis of Athens. Thomas Bruce, 7th Earl of Elgin, the British ambassador to the Ottoman Empire from 1799–1803 and a looter according to some people in Britain, obtained an ambiguous permission from the Ottoman authorities to remove pieces from the Acropolis. From 1801 to 1812 Elgin's agents removed about half of the surviving sculptures of the Parthenon. The Marbles were transported by sea to Britain. In Britain, Elgin was criticized for his actions, labelled by some as vandalism. However, following a public debate in Parliament and subsequent exoneration of Elgin's actions, the marbles were purchased by the British Government in 1816 and placed on display in the British Museum, where they stand now on view in the purpose-built Duveen Gallery. However, the legality of the removal has been questioned and the debate continues as to whether the Marbles should remain in the British Museum or be returned to Athens.

The Elgin Marbles, removed in 1801 by Thomas Bruce, 7th Earl of Elgin, include some 17 figures from the statuary from the east and west pediments (pediments are the triangular spaces formed by the pitch of the roof of a Greek temple, one at either end of the building), 15 (of an original 92) of the metope panels depicting battles between the Lapiths and the Centaurs, as well as 247 feet (of an original 524 feet) of the Parthenon Frieze which decorated the horizontal course set above the interior architrave of the temple. As such, they represent more than half of what now remains of the surviving sculptural decoration of the Parthenon.

These statues come from the Mausoleum at Halicarnassus, on of the Seven Wonders of the Ancient World. It is Greek in design, from around 350 BC but from Bodrum, modern Turkey. They stand at approximately 12 feet in height. Research suggests that there were once thirty-six such colossal portraits standing between the Ionic columns of the peristyle of the Mausoleum.
The mausoleum was a tomb built between 353 and 350 BC at Halicarnassus (present Bodrum, Turkey) for Mausolus, a satrap in the Persian Empire, and Artemisia II of Caria, his wife and sister. The structure was designed by the Greek architects Satyros and Pythis. It stood approximately 135 ft in height, and each of the four sides was adorned with sculptural reliefs created by each one of four Greek sculptors — Leochares, Bryaxis, Scopas of Paros and Timotheus. The finished structure was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World.
The word mausoleum has since come to be used generically for any grand tomb, though "Mausol – eion" originally meant "[building] dedicated to Mausolus".

This one may have been my favorite, although it is hard to choose between such great artifacts. This is The Flood Tablet, relating part of the Epic of Gilgamesh. It is the most famous cuneiform tablet from Mesopotamia. [Cuneiform script is one of the earliest known forms of written expression. Emerging in Sumer around the 30th century BC, with predecessors reaching into the late 4th millennium (the Uruk IV period), cuneiform writing began as a system of pictographs and later developed into alphabetic writing.) The Assyrian King Ashurbanipal (reigned 669-631 BC) collected a library of thousands of cuneiform tablets in his palace at Nineveh. They recorded myths, legends and scientific information. Among them was the story of the adventures of Gilgamesh, a legendary ruler of Uruk, and his search for immortality. The Epic of Gilgamesh is a huge work, the longest literary work in Akkadian (the language of Babylonia and Assyria and earliest attested Semitic language). It was widely known, with versions also found at Hattusas, capital of the Hittites, and Megiddo in the Levant.
This, the eleventh tablet of the epic, describes the meeting of Gilgamesh with Utnapishtim. Utnapishtim had been forewarned of a plan by the gods to send a great flood so he built a boat and loaded it with everything he could find. Utnapishtim survived the flood for six days while mankind was destroyed, before landing on a mountain called Nimush. He released a dove and a swallow but they did not find dry land to rest on, and returned. Finally a raven that he released did not return, showing that the waters must have receded. (Sound like a familiar story to anyone?)
This Assyrian version of the Old Testament flood story was identified in 1872 by George Smith, an assistant in The British Museum. On reading the text he, "... jumped up and rushed about the room in a great state of excitement, and, to the astonishment of those present, began to undress himself." Those wacky Brits.

After all this wonderful history and culture, we decided to spend our remaining time enjoying afternoon tea. [We had been mistakenly calling it "High tea" but apparently it is only High tea if you drink Champagne with it, which we didn't. Therefore, we had afternoon tea, or cream team as it is also called. A rose by any other name would smell as sweet...] We tried to go to the Savoy, which is probably the most grand hotel in all of London, but discovered that it is undergoing renovation. Although it was supposed to have been opened by April of 2009 (after being closed 18 months and spending in the area of 25 million pounds on the renovation), it still wasn't finished and was likely to closed until the end of the year. Wow. This was information provided to us by a wonderfully friendly doorman at an adjacent building. He gave us the recommendation of the Waldorf Hilton to enjoy our tea (just down the road), which we did.

I took this picture right before we got back on the bus to head northwest to our hotel in Banbury, which was centrally located between castles for the weekend. I liked the picture because it gave a feel for how great the sky was, and remained for our weekend in Medieval England. Next up, a visit to William Shakespeare's birthplace and home at Stratford Upon Avon.